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上来/上去
shàng lái / shàng qù
上来 and 上去 are not about up. They are about where you stand
A single arrow pointing upward. If its tip comes toward you, that is 上来; if it leaves you behind, that is 上去.
Chinese
5 uses
下来/下去
xià lái / xià qù
下来 keeps it in your hand; 下去 lets it run on
Water running downhill. Catch it in your hands and that is 下来; let it pass you and keep flowing and that is 下去.
Chinese
5 uses
出来
chū lái
出来 is less about coming out than about becoming visible
Something popping out of a closed box. A second ago you could not see it; now you can.
Chinese
5 uses
起来
qǐ lái
Everything 起来 does comes from one picture: standing up
Something lying flat pushing itself upright. What wasn't there stands up; what was scattered gets gathered and stood up too.
Chinese
5 uses
过来/过去
guò lái / guò qù
Draw one line down the middle and 过来/过去 solve themselves
A line drawn between here and there. Cross it toward me and it is 过来; cross it away from me and it is 过去.
Chinese
5 uses
回来
huí lái
回来 is not coming back. It is being brought back to where it belongs
An arrow that leaves and lands exactly where it started. The origin is also the destination.
Chinese
5 uses
得/不
de / bu
There is a door between the verb and its result
A door standing between the verb and the result it aims at. 得 says the door is open; 不 says it is locked.
Chinese
5 uses
完
wán
完 does not say finished. It says you can see the bottom
A bowl scraped until the bottom shows. There is nothing left to spoon out.
Chinese
5 uses
好
hǎo
完 says you used it all up. 好 says it is ready to use
The moment you straighten the last detail, step back and say 'there'. Not just finished, but fit to use.
Chinese
5 uses
到
dào
到 is not arrival. It is the instant your fingertips touch
Reaching out until your fingertips land on the target. There is a line between not touching and touching.
Chinese
5 uses
见
jiàn
看 is aiming your eyes; 见 is what lands in them
Your eyes and ears are windows left open. 见 is the moment something actually comes in through one.
Chinese
5 uses
住
zhù
住 has nothing to do with living somewhere. It is a grip
A hand closing around something in motion and pinning it where it is. It can no longer move or slip away.
Chinese
5 uses
て形
te-kei
The て form means nothing. It is a hook.
て turns the end of a verb into a small hook. Whatever comes next hangs off that hook.
Japanese
5 uses
-고
-go
One thread, many beads: the ending -고
Beads going onto a single thread, one after another. The thread never breaks.
Korean
5 uses
た形
ta-kei
た is not 'yesterday'. It is a stamp already down.
The moment the action finishes, a stamp comes down on the paper. The mark does not come off.
Japanese
5 uses
-아서/어서
-aseo/eoseo
The upper basin spills into the lower one: -아서/어서
Water running down a slope from one basin into the next. You cannot pull the two apart.
Korean
5 uses
ない形
nai-kei
Draw one X. Everything else stands on it.
You draw a single X on the spot where the action would have gone. All that changes is what you then say about that X.
Japanese
5 uses
-(으)니까
-(eu)nikka
Putting your reason on the table: -(으)니까
Laying a card face up in front of the other person: here is my reason, so let's do this.
Korean
5 uses
ている
te-iru
ている is not 'is doing'. It is a switch left on.
A switch flipped on over the verb. Either it is still running, or it was flipped once and has stayed on.
Japanese
5 uses
-(으)면
-(eu)myeon
Cross the threshold and the door opens: -(으)면
Standing at a threshold. Only by stepping over it does the door beyond open.
Korean
5 uses
てある
te-aru
てある still has a person's fingerprints on it
Something a person did deliberately and then stepped away from. Their intention is still sitting there.
Japanese
5 uses
-지만
-jiman
Admit it, then turn: -지만
Taking a step forward, then turning sharply the other way from that spot.
Korean
5 uses
-는데
-neunde
Lay the stage before you speak: -는데
Rolling out a round mat under your feet before you say the real thing. The point comes on top of that mat.
Korean
5 uses
ておく
te-oku
Not doing it now — parking it for later
You do a thing now and set it down in place for later. Time gets pushed one step ahead of you.
Japanese
5 uses
てしまう
te-shimau
てしまう is not regret. It is a lid closing.
You put it in a box and shut the lid. It cannot be reopened — which is both 'all done' and 'well, that's that'.
Japanese
5 uses
-(으)러
-(eu)reo
The feet move first: -(으)러
Putting one errand in your bag and stepping out the door. The purpose is the load; the body carries it somewhere.
Korean
5 uses
-(으)려고
-(eu)ryeogo
Setting up a target in your head: -(으)려고
Holding a drawn bow, aiming at a target you have not shot yet. Your whole body leans that way.
Korean
5 uses
てみる
te-miru
Why of all verbs is it 'see'?
You throw the thing once without knowing the outcome, and then watch to see how it lands.
Japanese
5 uses
てくれる
te-kureru
Drop it and the grammar survives, but you sound cold
What the other person did flies toward me like an arrow and lands. Gratitude rides in on that arrow.
Japanese
5 uses
-자마자
-jamaja
Not a sliver of gap: -자마자
The door clicks shut and the next thing springs out on that same click. No gap between the two.
Korean
5 uses
-기 전에
-gi jeone
Pointing left on the timeline: -기 전에
Marking a dot on a line of time and putting your finger on the space to the left of it.
Korean
5 uses
てもらう
te-morau
Same arrow. This time I'm the one pulling it.
The action still travels toward me, but now I pull the string. The subject is the hand receiving, not the hand giving.
Japanese
5 uses
られる(受身)
rareru-ukemi
The passive is not 'suffering'. It is moving the camera.
Someone else's arrow comes down and lands on me. The camera stands at the receiving end, not the shooting end.
Japanese
5 uses
-(으)ㄴ 후에
-(eu)n hue
Same line, other side: -(으)ㄴ 후에
Marking a dot on the line of time and putting your finger on the space to the right of it. The door has already shut.
Korean
5 uses
させる(使役)
saseru-shieki
The same hand pushes and clears the way
I reach out and set someone else in motion. Push hard and it is an order; step aside and open a path and it is permission.
Japanese
5 uses
-(으)면서
-(eu)myeonseo
Two lines drawn at once: -(으)면서
Holding two pens in one hand and drawing two parallel lines at the same time.
Korean
5 uses
-겠-
get
The screen inside your head: -겠-
Playing, on the screen inside your head, a scene that has not happened yet.
Korean
5 uses
-았/었-
at/eot
-았/었- is not the past, it is a set block
Something finished and hardened, sitting in front of you as a solid block.
Korean
5 uses
-고 있다
go itda
The film is still rolling: -고 있다
A film reel still turning, so the picture keeps moving.
Korean
5 uses
-아/어 있다
a/eo itda
The move is over, the picture stays: -아/어 있다
Something frozen in the shape it was left in once the action finished.
Korean
5 uses
-아/어 보다
a/eo boda
A hand testing the doorknob: -아/어 보다
A hand turning a doorknob once, not knowing yet whether it is locked.
Korean
5 uses
-아/어 주다
a/eo juda
Handing the action over: -아/어 주다
The action you perform sliding across and landing in the other person's hands.
Korean
5 uses
-아/어 버리다
a/eo beorida
Wiping your hands clean: -아/어 버리다
Finishing off what was in your hands and brushing your palms — nothing left on them.
Korean
5 uses
-아/어 두다
a/eo duda
Done, and left where it lies: -아/어 두다
Doing something and leaving it right there, untouched, until it is needed.
Korean
5 uses
-게 되다
ge doeda
The current put you there: -게 되다
You are not steering; the current has carried you and set you down over there.
Korean
5 uses
-아/어지다
a/eo jida
Nobody pushed it, the dial moved on its own: -아/어지다
A dial sliding one way with nobody's hand on it.
Korean
5 uses
-네요
ne-yo
The sound of seeing it this second: -네요
What your eyes have just taken in, leaking straight back out of your mouth.
Korean
5 uses
-군요
gun-yo
The click of a blank being filled: -군요
A puzzle piece dropping into the empty slot that had been waiting for it.
Korean
5 uses
-잖아요
ja-na-yo
Pointing again at what is already on the table: -잖아요
A finger pointing again at the thing already lying on the table between you.
Korean
5 uses
-거든요
geo-deun-yo
Bringing out the reason they could not see: -거든요
Reaching behind you for a circumstance they could not see, and setting it down in front of them.
Korean
5 uses
-더라고요
deo-ra-go-yo
I went, I saw, here it is: -더라고요
Coming back from somewhere and laying the scene you saw out in front of the listener.
Korean
5 uses
-(으)ㄹ게요
eul-ge-yo
A stamp pressed in front of the listener: -(으)ㄹ게요
Stamping one thing you will do and handing it to the person in front of you.
Korean
5 uses
-(으)ㄹ래요
eul-lae-yo
The hand that picks one up: -(으)ㄹ래요
Your own hand picking up one of the several things laid out in front of you.
Korean
5 uses
-나요
na-yo
Asking with the door only half open: -나요
Opening the door toward the other person just a little, and putting the question there in a soft round voice.
Korean
5 uses
-는지
neun-ji
Carrying a question that has not closed: -는지
Folding up one question that has no answer in it yet, holding it, and walking on into the next clause.
Korean
5 uses
-더라도
deo-ra-do
Building the wall and walking on anyway: -더라도
Deliberately standing a wall in your path, and your feet going past it unchanged.
Korean
5 uses
-았/었으면
at-eot-eu-myeon
Pulling a scene that hasn't happened into view: -았/었으면
Pulling a scene that has not arrived into view as a picture already completed, and looking at it.
Korean
5 uses
-기로 하다
gi-ro ha-da
Driving a nail into one road: -기로 하다
Standing before several roads, choosing one, and driving a nail into that spot.
Korean
5 uses
-(으)ㄴ 척하다
eun cheok-ha-da
One layer pasted on the outside: -(으)ㄴ 척하다
Leaving the inside as it is and pasting one different face onto the outside.
Korean
5 uses
-고 말다
go mal-da
You tried to stop it and it ran to the end: -고 말다
A hand reaching out to stop it, and the thing running all the way to the end and dropping there anyway.
Korean
5 uses